1. What is a reciprocal line and how is it used in, "Henri Cartier-Bresson. ROMANIA. 1975. In a train"?
-A reciprocal line is a line that intersects another and forms 90 degree angles. Its used in the picture to draw you focus to the couple's face which is the main focus of the picture.
2. In, "Henri Cartier-Bresson. USA. 1947. Cape Cod, Mass, Independence Day", how does the hand gesture add to the energy and movement of the diagonal lines?
-The hand gesture and the lines are all pointing in the same directions, making the shot feel energetic and alive.
3. In, "Rene Burri. BRAZIL. 1960. Rio de Janeiro. Ministry of Health", how do the diagonal lines create multiple directions for the eye to follow?
-The diagonal lines criss-cross and create multiple paths for the eyes to follow adding energy to the picture.
1. In, "Abbas / GREAT BRITAIN. Belfast. A wall crumbles down after having been set on fire, presumably by the IRA", how do the curved lives add to the suspense/tension of the image?
-The curved lines add suspense and tension to the shot because the curves add feelings of movement and action to the picture.
2. In, "Henri Cartier-Bresson / France, 1932", How do the curved lines add movement to the frame?
-The curved lines are all pointing in the direction that the bicycler is going, making it feel as if hes riding extremely fast.
3. In, "Eric Kim / Santa Monica, 2011", How are the curved lines also creating framing in the photograph?
-The lines lead your eye to the man in between them, creating a frame and at the same time making the picture feel alive and dynamic.
1. In, "Josef Koudelka : CZECHOSLOVAKIA. 1963. Slovakia. Jarabina", how does the leading line direct your eye?
-The line directs your eye to the mans face.
2.In, "Henri Cartier-Bresson FRANCE. 1932. Marseille. The Allée du Prado", Dow does the change of camera angle effect the composition?
-If he hadn't changed the angle, the lines wouldn't lead to the mans head and making the shot feel disconnected.
3. In, "Constantine Manos. USA. 1988. Florida. Daytona Beach. “American Color”, describe three movements that the lines draw for eye?
-You have the 2 men looking in opposite directions, the direction the "one way" arrow is pointing, and the way the pizza sign is pointing. These all lead the eyes in different directions.
-A reciprocal line is a line that intersects another and forms 90 degree angles. Its used in the picture to draw you focus to the couple's face which is the main focus of the picture.
2. In, "Henri Cartier-Bresson. USA. 1947. Cape Cod, Mass, Independence Day", how does the hand gesture add to the energy and movement of the diagonal lines?
-The hand gesture and the lines are all pointing in the same directions, making the shot feel energetic and alive.
3. In, "Rene Burri. BRAZIL. 1960. Rio de Janeiro. Ministry of Health", how do the diagonal lines create multiple directions for the eye to follow?
-The diagonal lines criss-cross and create multiple paths for the eyes to follow adding energy to the picture.
1. In, "Abbas / GREAT BRITAIN. Belfast. A wall crumbles down after having been set on fire, presumably by the IRA", how do the curved lives add to the suspense/tension of the image?
-The curved lines add suspense and tension to the shot because the curves add feelings of movement and action to the picture.
2. In, "Henri Cartier-Bresson / France, 1932", How do the curved lines add movement to the frame?
-The curved lines are all pointing in the direction that the bicycler is going, making it feel as if hes riding extremely fast.
3. In, "Eric Kim / Santa Monica, 2011", How are the curved lines also creating framing in the photograph?
-The lines lead your eye to the man in between them, creating a frame and at the same time making the picture feel alive and dynamic.
1. In, "Josef Koudelka : CZECHOSLOVAKIA. 1963. Slovakia. Jarabina", how does the leading line direct your eye?
-The line directs your eye to the mans face.
2.In, "Henri Cartier-Bresson FRANCE. 1932. Marseille. The Allée du Prado", Dow does the change of camera angle effect the composition?
-If he hadn't changed the angle, the lines wouldn't lead to the mans head and making the shot feel disconnected.
3. In, "Constantine Manos. USA. 1988. Florida. Daytona Beach. “American Color”, describe three movements that the lines draw for eye?
-You have the 2 men looking in opposite directions, the direction the "one way" arrow is pointing, and the way the pizza sign is pointing. These all lead the eyes in different directions.